Says the guy who talks to a duck...

If you were one of those people who went out predicting Tsuritama was going to get ‘darker’ or at least ‘weirder’ next episode, then give yourselves a pat on the back because yes, this show just got stranger.

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Kiritsugu the Mahou Otoko

“If you only act on what you should do without heed for what you want to do, you’re nothing more than a machine, a phenomenon. It’s not how a human being should live.”

Love it or hate him, Gen Urobuchi has an evocative quality to his writing that’s as absorbing as it is devastating. His characters are presented in a way where one does not ponder on “What I would’ve done.” Instead, it asks us to understand why his characters make the choices they do.

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Ayumi is such a bro.

Tsuritama has been a wonderful ride, the characters are fun to watch and the fishing segments are miraculously engaging. Given the span of five episodes, it’s impressive how Tsuritama is capable of pulling you into this strange yet colorful world with such ease.

While the series is still a relatively easy watch, there’s so much happening in the background that you just have to wonder if there’s more to Tsuritama. If there’s one thing I enjoy about a stylish Kenji Nakamura show, it’s his attention to detail and penchant for recycling motifs. Given the lack of discussion surrounding this series I was surprised how by chance, someone mentioned the Dragon’s Triangle (also called the Devil’s Sea) on a thread on /a/ alongside the myth of the Utsuro Bune. Note that more often than not, a lot of references in a Kenji Nakamura anime are intentional and contribute to the plot. This post is an attempt to analyze the myths and science fiction elements in Tsuritama and how well they tie with what we’ve seen in the series so far.

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Using color and contrast to give distinction

We don’t choose the circumstances of our birth. Chalk it up to a concept like fate if you like, but that’s how things are. Your mom and dad fucked, and there you are. Identity is just as tricky. Whether it’s how we perceive ourselves or how othersĀ perceiveĀ us, there’s no easy way to define who or what we are.

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DA-KU!

Repetition seems to be a key part of the Tsuritama universe. Despite its overt weirdness, the show has a penchant for reusing visual elements. This method allows the viewer to grow familiar with the stylized setting and the so-called randomness of the series. The world of Tsuritama is so small it feels as if nothing that transpires in the show is a mere coincidence, it wisely captures the idea of living a small island like Enoshima.

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